safety in close embrace

They quietly ask me and I sigh in frustration. A neat solution to a problem introduced by the very people who created it. It’s not a bad question, consent, but I find myself increasingly frustrated with it. It feels like a fundamental misunderstanding, or at best using a leaf blower to dust fine china. It obstructs and cuts off access to much of expression available for dance, inherent parts of the art form. And for what?

An idea of safety.

Whose safety? From who? From what?

More importantly who decided that we needed it?

And why.

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What is Praise dance?

Jazz, stands on stage. Her face painted white, in all Black, with white gloves. She breaths life into her song, aching and streching to explore the limits of expression. She’s almost doll-like with her smooth and sharp movements her face and hands another tool to convey her adoration. I sat still, in the crowd, barely

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